If we simply could keep track of which stuff is good and which is bad, things would be much easier. We aren't good at it, and for that matter, the manufacturers of stuff don't help us very much. In this video I present a Christmas present, a wine bottle opener, which just happens to work really well. It is ergonomic, the motor is strong, the battery lasts for a long time, the foil cutter actually does the job. But it is a no name brand Chinese thing, so it is hard for me to even recommend it to anybody.

After some search, and some help from a friend, I figured out that my wine opener is from Dongguan BeneFit Commodity Co.. Unfortunately they don't have that exact same model any longer. Was it a fluke that they made a great product, or do they do it consistently? I don't know.

An old rigid civilization is reluctantly dying. Something new, open, free and exciting is waking up.

There is a much deeper crisis at work as well, a crisis in the creation of goods and services that underlies money to begin with, and it is this crisis that gave birth to the real estate bubble everyone blames for the current situation. To understand it, let's get clear on what constitutes a "good" or a "service." In economics, these terms refer to something that is exchanged for money. If I babysit your children for free, economists don't count it as a service. It cannot be used to pay a financial debt: I cannot go to the supermarket and say, "I watched my neighbor's kids this morning, so please give me food." But if I open a day care center and charge you money, I have created a "service." GDP rises and, according to economists, society has become wealthier.

The same is true if I cut down a forest and sell the timber. While it is still standing and inaccessible, it is not a good. It only becomes "good" when I build a logging road, hire labor, cut it down, and transport it to a buyer. I convert a forest to timber, a commodity, and GDP goes up. Similarly, if I create a new song and share it for free, GDP does not go up and society is not considered wealthier, but if I copyright it and sell it, it becomes a good. Or I can find a traditional society that uses herbs and shamanic techniques for healing, destroy their culture and make them dependent on pharmaceutical medicine which they must purchase, evict them from their land so they cannot be subsistence farmers and must buy food, clear the land and hire them on a banana plantation -- and I have made the world richer. I have brought various functions, relationships, and natural resources into the realm of money. In The Ascent of Humanity I describe this process in depth: the conversion of social capital, natural capital, cultural capital, and spiritual capital into money.

Essentially, for the economy to continue growing and for the (interest-based) money system to remain viable, more and more of nature and human relationship must be monetized. For example, thirty years ago most meals were prepared at home; today some two-thirds are prepared outside, in restaurants or supermarket delis. A once unpaid function, cooking, has become a "service". And we are the richer for it. Right?

Another major engine of economic growth over the last three decades, child care, has also made us richer. We are now relieved of the burden of caring for our own children. We pay experts instead, who can do it much more efficiently.

In ancient times entertainment was also a free, participatory function. Everyone played an instrument, sang, participated in drama. Even 75 years ago in America, every small town had its own marching band and baseball team. Now we pay for those services. The economy has grown. Hooray....

4. The people are beautiful but seem unaware of the fact.

As Bill Bryson once observed: you could cast a Pepsi commercial here in 15 seconds.

Right up there with Argentina, Denmark has a jaw-dropping number of gorgeous people. The truly beautiful part, and unusual differentiator, is that appear blissfully unaware of the fact. There is little LA-style pretension unless you go to a social climber magnet like Club NASA, which helps to pull the mirror gazers off the streets. Go in the spring or summer and there is no need for catwalks—the sidewalks at Nyhavn are good enough. For those feeling the club or lounge itch, Vega and JazzHouse are hard to beat.

5. Danish design is incredible to experience, even for non-designers.

“It doesn’t cost money to light a room correctly, but it does require culture.” This quote from Poul Henningsen, encapsulates the beauty of Danish design minimalism. Much like in Japanese design, form follows function, and half of the time I found myself in a great mood in Copenhagen, I realized it was due to the planned passage of sunlight in Danish architecture, as well as their understanding of interior lighting intensity and placement.

Bigger is not better, as is so often the case in the US, and the tallest building in Copenhagen is a modest 358 feet.

From the sleek silverware of 2001: A Space Odyssey to the most famous chairs in the design world, the Danes have a functional and pleasant feast for the eyes almost anywhere you go, whether the renowned Louisiana museum or your hotel lobby....

The most extensive and insightful methodological approach to the incidence of suffering is that developed through the research of R G H Siu and the International Society for Panetics. They developed the concept of the "dukkha" as a measure of suffering. For the panetics community, the dukkha is a measure of the intensity and duration of pain and anguish adapted from the 9-point hedonic scale used to provide subjective judgements in market research. Dukkha is also a central concept in Buddhism.

According to this approach, one dukkha expresses the amount of suffering endured by one person experiencing one intensity unit for one day (roughly the equivalent to the amount of suffering felt by one person with a moderate toothache for eight hours). A "megadukkha" represents the order of magnitude of suffering sustained by 1,000 persons for about 10 hours a day, for a year, with severe stomach ulcers and without medication. The approach has been explored further by Johan Galtung (Panetics and the Practice of Peace and Development, 1999).

WHAT IS PANETICS?

Panetics is an integrated discipline to study and help reduce the INFLICTION of suffering by humans upon other humans. It was founded upon the conviction that a growing international consensus supports the right of people to be relieved from suffering inflicted by other people when they act through governments, institutions, professions and social groups. To that end, Panetics is an evolving, "pan-ethical" approach to research, policy analysis, decision-making and management."Panetics" is a term coined by Ralph G.H. Siu from "paneti" which means "to inflict" in Pali, the language of the Buddha.

PANETHICS

Combining the Greek word for "all" ("pan") with "ethics", Panethics is an attempt to synthesize thinking from both East and West into a readily understandable and agreed upon system of ethics for a world community. It is based upon the fundamental principle that no one has the right to unjustly inflict distress, pain and anguish on another. The semantic and synergistic relationship between the two terms "panetics" and "panethics" is intentional.

The term "panethics" was first coined by Professor Rudolph Krejci during a lively discussion in April 1986 at the University of Alaska’s Geophysical Institute with its director Syun-Ichi Akasofu and the Visiting Lecturer in Panetics, Ralph G.H.Siu.

PANETIC OBJECTIVES

The main aims of Panetics are to analyze the sources of inflicted suffering, develop practical ways to help reduce human suffering inflicted by individuals through governments, institutions, professions, or social groups, and encourage their application.

PANETIC PREMISES

People have a right to be relieved from suffering inflicted by other people. The international community has begun to demonstrate a willingness to support that right. We lack both awareness and the tools required for decision-making and intervention to be sure that such actions actually alleviate, rather than increase, human suffering. To prevent such missteps, we must search for measures to assess potential and actual human consequences of actions with the same attempts at precision that we try to use in economic decision-making. Such panetic analyses can help leaders, professionals and managers evaluate the humane consequences of their actions, lessen the suffering they might otherwise cause, and thereby advance the well-being of humanity.

A dark cloud is passing over America. We've witnessed, in recent years, the death of many of our constitutional rights and liberties. We've also seen increasingly authoritarian trends in daily life and culture.

Those of us who would prefer to keep our freedoms have been relatively powerless as the events of 9/11 have created an atmosphere of fear and acquiescence. Everybody knows the litany: the virtual death of habeas corpus, the legalization of surveillance against all Americans, the lawlessness and usurpation of powers by the executive branch, ad infinitum.

It is time for all those who oppose this gathering trend towards the worst type of authoritarian governance and culture to put aside their differences and join together in a coalition that can act as a counterforce to this gathering threat to our liberties. It is time for QuestionAuthority (QA).

1: QuestionAuthority — A Coalition

QuestionAuthority is an educational and advocacy project dedicated to defending and extending personal and civil liberties and encouraging free expression. Our goal is to create a broad-based coalition of non-authoritarian groups and individuals who may currently be working in relative isolation on single issues, for political organizations and candidates, or in relatively isolated ideological cohort groups. As a cohesive force, we can do more than just stem the tide one issue — or one court case — at a time. We can exercise political and cultural influence by uniting the vast numbers of Americans who believe that the country has taken a radical turn in an authoritarian direction...

According to Weisman, large parts of our physical infrastructure would begin to crumble almost immediately. Without street cleaners and road crews, our grand boulevards and superhighways would start to crack and buckle in a matter of months. Over the following decades many houses and office buildings would collapse, but some ordinary items would resist decay for an extraordinarily long time. Stainless-steel pots, for example, could last for millennia, especially if they were buried in the weed-covered mounds that used to be our kitchens. And certain common plastics might remain intact for hundreds of thousands of years; they would not break down until microbes evolved the ability to consume them.

Q: If human beings were to disappear tomorrow, the magnificent skyline of Manhattan would not long survive them. Weisman describes how the concrete jungle of New York City would revert to a real forest.

A: “What would happen to all of our stuff if we weren’t here anymore? Could nature wipe out all of our traces? Are there some things that we’ve made that are indestructible or indelible? Could nature, for example, take New York City back to the forest that was there when Henry Hudson first saw it in 1609?

“I had a fascinating time talking to engineers and maintenance people in New York City about what it takes to hold off nature. I discovered that our huge, imposing, overwhelming infrastructures that seem so monumental and indestructible are actually these fairly fragile concepts that continue to function and exist thanks to a few human beings on whom all of us really depend. The name ‘Manhattan’ comes from an Indian term referring to hills. It used to be a very hilly island. Of course, the region was eventually flattened to have a grid of streets imposed on it. Around those hills there used to flow about 40 different streams, and there were numerous springs all over Manhattan island. What happened to all that water? There’s still just as much rainfall as ever on Manhattan, but the water has now been suppressed. It’s underground. Some of it runs through the sewage system, but a sewage system is never as efficient as nature in wicking away water. So there is a lot of groundwater rushing around underneath, trying to get out. Even on a clear, sunny day, the people who keep the subway going have to pump 13 million gallons of water away. Otherwise the tunnels will start to flood."

Near Shanghai, the Songjiang district has become a popular weekend destination for many tourists with its natural beauty and sprawling landscapes. And now the Songjiang Hotel might just become the newest and greenest attraction. While it may look a bit sci-fi, this hotel was designed for the real (green) world, with many sustainable features in mind.

This proposed hotel was designed by the firm Atkins, the same firm which has brought us buildings such as Tianjin’s Pile of Boxes and the Bahrain World Trade Center. The 400-bed resort will be located in a 100-meter-deep quarry located in the province and will contain restaurants, cafes, sport facilities, and even underwater public areas and guestrooms. Water will play an important part in the design, featured in many areas around the hotel. Waterfalls, underwater aquariums, and green areas will be integrated into the design to match the existing facing of the quarry.

The reuse of an already existing site means that the environmental impact will hopefully be smaller. The entire hotel is to be covered in a green roof, while the building will use geothermal energy for it’s electrical supply and heating. The quarry will also provide a good source of heat control and shelter from the environment.

The design of the building is meant to reflect the natural landscape of the quarry. “We drew our inspiration from the quarry setting itself, adopting the image of a green hill cascading down the natural rock face as a series of terraced landscaped hanging gardens.” said Martin Jochman. Needless to say, with such a cool looking site, you’d expect to get a design which will take advantages of it’s very extreme location, and you’d be correct. The hotel, will feature amongst other things: bungee jumping.

So who killed the record industry as we knew it? "The record companies have created this situation themselves," says Simon Wright, CEO of Virgin Entertainment Group, which operates Virgin Megastores. While there are factors outside of the labels' control -- from the rise of the Internet to the popularity of video games and DVDs -- many in the industry see the last seven years as a series of botched opportunities. And among the biggest, they say, was the labels' failure to address online piracy at the beginning by making peace with the first file-sharing service, Napster. "They left billions and billions of dollars on the table by suing Napster -- that was the moment that the labels killed themselves," says Jeff Kwatinetz, CEO of management company the Firm. "The record business had an unbelievable opportunity there. They were all using the same service. It was as if everybody was listening to the same radio station. Then Napster shut down, and all those 30 or 40 million people went to other [file-sharing services]."

It all could have been different: Seven years ago, the music industry's top executives gathered for secret talks with Napster CEO Hank Barry. At a July 15th, 2000, meeting, the execs -- including the CEO of Universal's parent company, Edgar Bronfman Jr.; Sony Corp. head Nobuyuki Idei; and Bertelsmann chief Thomas Middelhof -- sat in a hotel in Sun Valley, Idaho, with Barry and told him that they wanted to strike licensing deals with Napster. "Mr. Idei started the meeting," recalls Barry, now a director in the law firm Howard Rice. "He was talking about how Napster was something the customers wanted."

A story field is

a psycho-social field of influence
generated by the resonance and interactions
among a culture’s many stories, events, roles, practices,
symbols, physical infrastructure, artifacts, cuisine, etc.

A story field shapes the awareness and behaviors
of the individuals and groups within its range.
It is the real-life field of influence associated with
a culture's Big Story, cultural Myth, or Metanarrative.

Our story field
frames what we think is real, acceptable, and possible,
and directly shapes our lives and our world,
often without our even being aware of it.
It shapes everything we see, think and do.

Change the story field of a culture
and we change what is real, acceptable, and possible..

Consider an example. Many people around the world have a powerful (although not always articulated) sense of THE AMERICAN WAY OF LIFE. Probably the vast majority of Americans are actually motivated by that sense. We could describe it in terms of principles -- like freedom, individualism, patriotism, progress, mobility, property rights, the pursuit of happiness, and so on. But to fathom the compelling nature of The American Way of Life, we need to step into the stories that generate it. See what comes up for you when you consider the following evocative images: Pioneers. Cowboys. The Declaration of Independence. Manifest Destiny. Rags to Riches. Technological Progress. The World's Only Superpower. The Career. The Work Ethic. The Wise Investment. The Safety Net. Family Values. The Melting Pot. The American Dream. The War on Terror.

Each of these images and metaphors echoes with a thousand stories, myths, scenarios, visions, heroes, incidents, and so on, that show up over and over again in books, newspapers, TV programs, movies, songs, speeches, advertisements, conversations in bars and within families, and embodied in the streets, homes, policies and lives of America. This ubiquitous field of socio-psychological-narrative magnetism pulls on all of us to act, think, believe and see in particular ways -- and not in other ways. It takes immense effort to resist it or change it. To the extent any person, group or activity does not live within this story-sea and move with its currents, they don't seem quite American. They are suspect and often feel quite marginalized.

'Ambient Intimacy' is a term I coined recently to describe an ancient effect which has come to the fore with the use of technologies such as Flickr and Twitter. Evan Williams of Obvious (creators of Twitter) recently used this term at the International Conference of Weblogs & Social Media to explain the value that Twitter offers it's users.

My current definition: "Ambient intimacy is about being able to keep in touch with people with a level of regularity and intimacy that you wouldn’t usually have access to, because time and space conspire to make it impossible. Flickr lets me see what friends are eating for lunch, how they’ve redecorated their bedroom, their latest haircut. Twitter tells me when they’re hungry, what technology is currently frustrating them, who they’re having drinks with tonight."

Let's review the history of Ambient Intimacy from non-digital forms, through some interesting research on the use of mobile phones by teenagers in Japan to a reflection of how current technologies support ambient intimacy and what this means for us as technology users and designers.

It begins with a question. What do you do to build community? Your answer, the action that you do to build community, is what we call Splotz of Glue.

Splotz of Glue are the key everyday actions that we do to be better informed, to connect with others, to build trust, and to get involved. Splotz of Glue, when done together and in abundance, have the cumulative effect of improving the quality of life in our neighborhoods...

I will collect, catalogue, and contemplate One Million Splotz of Glue. I will shine a spotlight on the everyday things we do to BuildCommunity. I will encourage new acts of Splotzing, and facilitate a larger conversation about Social Capital and Community Building.

The short answer: I don't.

The longer answers: I start fires. Or I roll snowballs. Cluetrain was a fire. Still is. It took communication (not community) to start it. The four authors of that tome have only seen each other in the flesh, as a group, twice. If there's a cluetrain "community", I'm not sure what it is. A lot of friends and fellow-travelers, sure; but not "community". User-centric Identity is a snowball. It's also a community, to the degree that it's organized, sort of.